With beanie hat in tow (with a pair of old tights tied on top) Thomasina (my Inner Woman) reappeared this week demanding another portrait be made. You can’t refuse such a request. Really, you can’t. I have tried.
Ripping the Mona Thomasina out of the frame, Thomasina said “We’ll use this again. And for the next three.” Which was her way of telling me she wanted another three portraits doing. “For this run!” she adds. See? Refusal is not an option.
This rip off version of a classic is based upon Girl with a Pearl Earring, an oil painting by Dutch painter Johannes Vermeer, dated around 1665. There is a movie of the same name, starring Colin Firth (as Vermeer, not the girl!), which wasn’t the inspiration for this picture, as I haven’t seen that movie. The painting wasn’t named as such when it was first done, but this is the name it currently holds.
As with last week’s painting, this week’s is slightly similar yet totally different once again to the original to which upon it is based. Thomasina is looking the wrong way for starters. She’s also wearing that hat and tights combo, and her earring most definitely isn’t pearl. It’s a clip-on one. And this painting isn’t done in oils.
Just so you’re forewarned… there is a nightmare of a painting coming up. I almost replaced this one with that one, just to get it out of the way… but I think best left until the very last minute is the wisest option. Honestly, it’s the stuff of nightmares. Once seen, it can never be unseen. But Thomasina likes it.
And what Thomasina likes… well. Wait and see.
I shall apologise now.
There will, however, be another ‘respectable’ painting along next week.
The Mansionic Perspective 
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